Editing Angles for Non-fiction Authors

Writing with Computers Too Easy

December 28, 2009 · Leave a Comment

by Maeve Maddox  from Daily Writing Tips 

The word processor brings obvious advantages to writers. The ease with which you can write and revise, having typing and spelling mistakes corrected as you go, leads to…carelessness. I’m not simply referring to over-reliance on spell-checkers – that’s been covered adequately in other articles* on this site – but to sloppy style and composition.

It’s all too easy, as I have found in my nearly 30 years of using word processing software (I started with WordStar 3.1 on CP/M80 for the archeologists among you), to write using these tools. The obvious advantage is that it is easy to go back and change your words and your mind about what you want to say. But one of the serious disadvantages is that you can write half a sentence, break off and come back to write the other half, which may not match the first half in style, content or overall meaning.

Of course, this is technically possible with any other writing method – but somehow it seemed harder to stop in the middle of a sentence with a pen or a typewriter. In any case, with a typewriter, you felt honor-bound to finish the page. Dropping one piece of writing mid-sentence, taking out the sheet of paper, re-setting margins, etc. and continuing the original on the re-inserted piece of paper usually didn’t work too well.

This ability to stop writing a sentence, do something else, and continue from where you left off without always finishing the thought with which you started can make for very disjointed writing.

The “something else” can be totally unconnected with writing (food breaks and the like) or can be something writing- and computer-related (e.g. answering an e-mail message or Twitter message – in a completely different writing style to the one used in your main writing assignment) or can even be within the same document, going back and revising something that’s already been written.

While writing this piece, I’ve been guilty of all three types of mid-sentence breaks. Can you see them? I hope not, because I do go back and re-read what I have written, matching style and making sure the logic flows neatly from one part to the next.

However, it does seem painfully obvious to me reading some writing (including some of my own past work) that the flow of thought hasn’t been checked, and that the “first fine careless rapture” is the final published product.

It may not be as exciting to polish a diamond as to dig it out of the ground, but unpolished uncut diamonds are not nearly as valuable as their processed counterparts. Take time to polish your gems before putting them on display to the world.

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How Much Time Does it Take to Write a Book?

December 21, 2009 · Leave a Comment

Lisa Tener

An aspiring author recently called me to explore writing coaching to help him write his book. He wondered about hiring a ghostwriter.

Generally, I’m all about writing your book yourself. I’ve met too many people who’ve hired ghostwriters and been disappointed. And most relatively smart people can develop an engaging (or even compelling) style and find their authentic voice as a writer by learning a few important skills with the help of a writing coach or editor.

The only reasons to hire a ghostwriter is if you’ve gotten solid expert help and you still can’t write or you just don’t have the time. This person didn’t have much time. His question was critical. Could he find the time to write his book? It can take years to write a book and I know people who’ve written books in a manner of weeks.

In my book writing classes, some students have a first draft within eight or ten weeks. Some never finish at all; others can take months to write their book. Writing a book as quickly as eight weeks assumes that either you don’t need to do much research for the book, or you write your first draft without doing much research and then you do the research afterward (or have someone else do some of the research for you). You’ll write faster (and you’ll write a better book) if you spend time before the writing to clarify your goals in writing a book, the audience or market for the book, the book concept, including features, tone, how the book fits in with what’s currently out there, and the outline of your book.

How fast you write a book also depends on how much time you commit per week. However, just because you devote yourself full time to writing doesn’t mean you’ll have your book any sooner than someone who has a full time job. Sometimes the people with demanding jobs are the best at making the most of the 30 or 90 minutes a day they devote to writing a book.

While I can’t tell you how long it will take you to write your book, I do know that those who consistently make writing appointments in their calendars and hold themselves to it (often with the support of a writing buddy, book coach or a book writing class) can often predict, after a few weeks, how soon they’ll have a first draft.

If you’re wondering how long it will take to write a book, I suggest you spend time to clarify the market and book concept, outline the book and then write for two to three weeks. Be consistent about your weekly commitment and see how much you accomplish in that time. At that point you should be able to project how long it will take you to complete writing your book. If, in that time, you get little accomplished, you’ll also realize it’s a good idea to reach out for more help in whatever form works best for you–writing buddy, writing group at a local library, a book writing class, an editor or a writing coach. Just get started and your answer will become clearer. And, at some point, you’ll know exactly how long it takes to write your book–you’ll be holding that book in your hands.

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How to Write a Book when You Can’t Seem to Get Around to It

December 17, 2009 · Leave a Comment

Dan Poynter (used with permission)

Many experts have all the ingredients to be successful published authors; they have a book inside them but cannot get it out. What they lack is the “recipe.”

Recipe Secret #1: Write in pieces. It is hard to get started when you visualize the entire project. What is interesting to you right now? How do you explain something verbally? Write it down. Write a paragraph or two or more on it. You will figure out later where it will be in your book. Then write another piece. Skip around; write on whatever interests you. I wrote my last book in less than two weeks because most of it was just assembling pieces previous written for my newsletter, website, and speeches.

Recipe Secret #2: Assemble chapter piles. Divide your articles and short thoughts into piles; one pile for each chapter. Visualize what you have and see what you do not have yet. Write some more pieces to fill in the holes.

Recipe Secret #3: Don’t start at the beginning. Pick up the chapter that is the shortest, the easiest or the most fun. I find that the smallest chapter pile is the most fun.

Recipe Secret #4: Draft the first chapter last. The first chapter tends to be an introduction to the subject and book. Writing a book is an exploration, a journey. You will do a lot of research on line as you write. The book will evolve and take a different shape than what you initially had in mind. So write the introductory first chapter last.

Recipe Secret #5: Rough draft the entire manuscript before going on to the second draft; the Content Edit. Do not improve, rewrite, or massage each chapter. Progress to the next chapter pile. Just get the piles off the floor and into the computer.

Now, sit down and write something.

Dan Poynter is an author (100+ books), publisher (since 1969), and speaker (CSP) who provides information products on book writing/publishing/promoting, parachutes/skydiving, expert witness and aging cats.

Sign up for Dan’s newsletter at http://parapublishing.com/sites/para/resources/newsletter.cfm

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Surf’s Up in Maui for Jessica

December 10, 2009 · Leave a Comment

For those who have been following Jessica Cox (www.rightfooted.com) — the first woman without arms to earn her pilot’s license — check out her latest adventure. It’s her first surfing lesson, beautifully photographed in a short video clip. Click or copy/paste this link into your browser:

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A Celebratory Party for a Deliberate Pause

November 30, 2009 · Leave a Comment

Click to play this Smilebox slideshow: Pause Party
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Larry Robertson had lots of people to thank at a recent book launch party in Tucson, Arizona, including me, his editor. For a review of his new book A Deliberate Pause, see Book Review page on this blog.

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Is the Use Of Good Grammar a Lost Art?

October 24, 2009 · 1 Comment

By Helen Fleder

It’s been said that grammar is the most crucial of all academic subjects, and yet using proper grammar, along with good penmanship and spelling, seem to be skills that are sadly neglected in our educational system.

Here are some common examples of poor grammar use:

  • Many years ago, the worst slang in our language was saying “ain’t” instead of “isn’t” as in “ain’t that the truth” or using a double negative as in “I didn’t see nothing.” Since then, our word usage has deteriorated considerably. In many instances, it doesn’t even affect grading on students’ examinations in elementary school and on up to the college level. Much of the blame is due to what we are hearing in current popular songs, advertisements, in the movies and on television.
  • Baby boomers have been described as the “me” generation. I never dreamed how this self-centeredness would be as evident as it is in the use of their language. When they speak of a group of people, more often than not, they begin with “me” as in “me and you are going out” when, to be correct, “me” should put last, not first.
  • Another example of misuse of words is to say “lay down” as opposed to “lie down” (echoing the Word Tripper lie vs. lay). To be correct, objects lay and people lie, a rule that few honor any more.
  • When referring to a person, it is correct to use the words “who” or “whom,” not “that.” Today, people are frequently referred to as “that” as in “the man that took my seat.”
  • I don’t understand why the word “like” is used so frequently in conversations. Does it infer that the issue is unclear, or does it stem from fear of commitment to an idea or statement?
  • The expression “you know” is repeated so frequently that it has become a habit many can’t break, yet it has no meaning or reason to be used. It’s used by highly paid television and radio announcers who should know better.

It’s amazing how rapidly the misuse of words become popular over time. Children repeat what they hear at home, but it is up to our educators to insist on their using proper English, correcting and grading them accordingly when they are wrong. Only then will they learn from their mistakes and become more eloquent in their verbal and writing skills.

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Don’t Writers Care about Grammar?

August 31, 2009 · 2 Comments

by Barbara McNichol

Recently I learned what a hot topic grammatical errors can be when one of my favorite blogs, Article Writing and Marketing Insights from Ezine Articles, took a subject close to my heart and made it relevant to everyone who writes.

Within 24 hours of posting “Avoiding the (6) Common Grammatical Errors That Make Authors Look Du…Unprofessional,” the blog received 776 views and 93 comments. That’s evidence of how “hot” the topic of incorrect grammar can be!

The blog post started:

in these days of txting, iming and all low caps, its easy to take shortcuts to writing
However, even though we now use our keyboards as we once did our phones, what most people do not understand is how unprofessional the improper use of the English language can make an article, and its author, look.
Look at the sentence above again. Does it look professionally written to you? Now, I’m not saying you need to go back to 9th grade English class and try and figure out where your participles are dangling, but making sure you have a command of the basics is essential.

The post went on to list six common errors that make authors look unprofessional. Five of them are what I call Word Trippers—a pair of similar words with different meanings and spellings that can trip people up: loose/lose, affect/effect, it’s/its, their/there, than/then. (The sixth addressed misuse of semicolons, something that riled writer Jeff Rubin so much, he established September 24 as National Punctuation Day.)

Among the blog comments, the most philosophic came from a subscriber named Jenny who wrote, “I am always amazed at how many who consider themselves writers make these mistakes — which are so easily avoided if one is paying attention. Personally, I think they just don’t care. Thanks for a provocative post that is a very good starting point in dealing with a problem that is unfortunately much bigger than those six examples!”

Do They Care?

As an editor who deals with mistakes like these in articles and manuscripts, I endorse Jenny’s observation that the problem is bigger than these six examples. But I challenge her statement, “I think they just don’t care.” Rather, I see three factors at play here: (1) People tend to write in a stream-of-consciousness manner, eager to get ideas down (that’s how I approach drafting of my ezine and the initial piece is downright sloppy). In this creative mode, fine tuning isn’t the first priority. (2) “Instant messaging” is just that! People seem to be hurrying to move on to the next thing, feeling good about “getting that done” and prematurely declaring the piece complete. They don’t make sure what they’ve written comes across exactly the way they wanted to say it. (3) Writers often lack the desire, discipline, or dedication to revisit their prose with a fresh eye, a clear mind, and breathing space to think it through.

Half-Baked Prose

I call the result of this propensity to write fast, move on, and never look back “half-baked.” After all, you wouldn’t eat a loaf of bread that’s half-baked. Why would you send out a written piece that isn’t fully “cooked” either? The solution? Take time to put your writing “back in the oven” and question the key elements: the validity of the thoughts, the logical thread of persuasion, and the correct use of each word. Yes, gremlins such as incorrect grammar and punctuation still get through unintentionally. So do unclear transitions and inexact word choice. Because of these, reviewing your written piece only once simply isn’t enough.

Three Steps to Perfection

I suggest if you habitually add these simple steps, you can “bake” your piece close to perfection:

(1) Print your piece and then go to another area to read it aloud as if a 10 year old needed to understand it. You’ll recognize unclear passages quickly that way.

(2) Question each word for its meaning, spelling, and role in the sentence, then take time to look up what you suspect isn’t correct. Don’t rely on memory alone; it can be shaky. Instead, access easy-to-use resources that will make your writing life easier.

(3) Revise, reread, revise, reread . . . until you’re satisfied.

Above all, slow down and think about your readers, be they 10 years old or 100. No one wants to eat half-baked bread, nor do they want to read partly polished prose. Flavor your writing until it’s “cooked” just right!

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Bloggers, Take Heed: Succinct, Friendly Ebook Model of Clear Writing

August 26, 2009 · Leave a Comment

Are you, like me,  fumbling around trying to make sense of the blogging world?

Daniel Scocco grabbed me with his title Make Money Blogging, then engaged me with his easy-to-read primer about blogging. Succinct, yet friendly, this 54-page ebook holds your hand through its four chapters, leading you to the last chapter on monetizing your blog based on the stepping stones he laid.

Why this approach? He wants readers to be prepared for stepping into making money, not racing unprepared to the finish line. While reading it, I caught myself thinking “oh, that’s how it works” a number of times … several times before I reached the  chapter that promised rewards.  A big thumbs up to Daniel for this well-written walk through the forest of blogging possibilities.

A few of my aha’s along the way:

p. 3-54   Boy, this layout is easy to follow with lots of rooms to take notes – well designed! Good model for other ebooks.

p. 15 – explanation of GoggleAds KeyWord Tracker (didn’t know it existed!)

p. 21 – where to go to gain blog HTML and CSS tutorial help (w3Schools.com and HTML.net)

p. 22 – priorities of what you want your readers to do while on your blog (my priorities aren’t obvious – and now I know it!)

The last one alone was well worth the price of admission–which is free if you sign up for Daniel’s ezine Daily Blogging Tips at  http://www.dailyblogtips.com/make-money-blogging/
It seems that putting out the ebook itself proved to be both a valuable Daily Blog Tip plus an excellent marketing model rolled into one. 

Barbara’s two cents!

 

 

 

 
 
 

 

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Tailor Your Writer’s Voice to Your Topic and Target

August 18, 2009 · Leave a Comment

By Peggy Henrikson

Do you like to write in a light-hearted or serious style? Is your writing filled with delightful description or carefully crafted explanations? Do long sentences flow from your fingers as you type, or do you love the dance of dialogue or punchy prose?

When writing a nonfiction book or article, you’re faced with a challenge. How can you express your personal predilections, or your writer’s “voice,” yet still tailor your topic to your targeted readers?

Part of your unique voice arises from your natural tendencies and personality, the rest from skillful art. You can give your readers their due by wisely choosing your topic and then skillfully adjusting your natural writing style.

You may have a lively sense of humor but want to write a book on business building—a subject that doesn’t lend itself to jocularity. So you would include anecdotes, examples, description, or dialogue that have just enough humor to lighten up your subject without making light of it.

It’s wise to start by choosing a topic and market that naturally aligns with your personality and interests. The path of least resistance often proves to be the most successful.

 What Tone Suits Your Personality, Topic, and Market?

Breezy, inspirational, academic, conversational, tongue-in-cheek, motivational? Think of your readers’ demographics. What tone would resonate with them? Does it resonate with you? If not, you might want to reconsider your choices.

Similarly, choose your vocabulary and sentence structure with your prospective readers in mind. If you relish writing complex sentences with multisyllabic words, don’t direct your work toward the general public unless you’re willing to adjust these elements. Instead of using long words and sentences, add vibrant descriptions, stories, examples, and dialogue where possible. All of these enrich your writer’s voice. Just make sure the tone they set is appropriate to the topic.

The trick to tailoring your voice to topic and target? Adjust and enhance your natural tendencies. How? By skillfully using elements that illuminate your topic and captivate the minds of your readers.

It’s a balance worth striving for to achieve a well-written article or book.

Peggy Henrikson is an editorial team member with Barbara McNichol Editorial. She constantly adjusts her editing to reflect the unique voice of each writer with whom she works.

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Jessica Learning to Fly – Underwater!

August 11, 2009 · Leave a Comment

This video clip says it all in Jessica’s words. Feel free to comment and cheer her on!

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